focus mainly on the Camera Obscura Photography - the simplest
way of projecting the image onto photosensitive materials. I don't
use lenses, but rather give an invitation to the omnipresent energy
for direct cooperation. I don't place any limitations to the light.
I don’t hinder the light, nor do I demand anything from
it, I gently invite it into my cameras, merely trying to record,
document and discover. Camera Obscura Photography is mostly unpredictable.
While constructing these simple recorders I expect the unexpected;
at times, nothing at all. I manipulate the focal and the pinhole
diameter then I let it work on its own; sometimes predicting the
outcome, other times not at all. My simple cameras register the
absolute reality, imperfect framing and my own imperfect perception
of the world. The creation of a pinhole camera is a very simple
process and frankly, a very common one. What is special to me
is the effect, my visual antiPicture. I use negative, positive,
instant, immediate films and photosensitive papers. I mostly use
heliobrom and dev-spray methods with the bromide and multigrade
papers in my dark room. In recent years I have been working on
three projects titled "weAreChildrenOfOneGod", "Possession"
and "forestPeople". These are results of my considerations
and my attempt to organize affairs which consist of my past and